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 THE
ARTISTS: (on the album cover Rockers Showcase Vol. 3)
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RICKY GRANT
started singing at an early age. He was joined by
Delroy Williams and George Allison and, together, they became the Afrotones.
Rick left the Afrotones in the early 60's before joining the Gaylads as a
replacement for Delano Stewart. After parting with the Gaylads to pursue a
solo career, he joined the Rockers family. He recorded a few 45's and an LP
called I Love Jah Rastafari before migrating to the
U.S.A. Ricky returned home and formed Psalms, previously known as the Gaylads.
They recorded some 45's and an LP before Ricky returned to the U.S.A. He is
now pursuing a solo career once agian and his song "Free Brasing"
is his latest recording for Rockers International.
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SPLIFFY DAN
one of reggae's underground artists, who has been singing
for a few years now but has not recorded many songs. He has performed around
Jamaica and had a moderate hit called Credec. Spliffy Dan has slowly surfaced
and is now ready for the world of recording. Let's see what he surfaces with.
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SNOW MAN
is one of the new names at Rockers. He has just recorded
his two songs for Pablo. Snow Man is a DJ who is committed to chanting
culture and not slackness.
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HUGH MUNDELL
Pablo asked him to do an audition for him. Pablo was
impressed with both his singing and his lyrics that he rehearsed him for one
day and subsequently recorded five songs of his the following week: "Don't
Stay Away", "My Mind", "Lonely
Man", "Let's
All Unite", and "Africa Must Be Free
By 1983", the latter becoming an international classic.
The album of AFRICA MUST BE FREE
BY 1983 was released in the late 1977 in Jamaica and did very good
on exports to the U.S. and Britain.The tracks contained on the album were
recorded over a time beginning in 1975 and through to 1977. Hugh also
recorded a number of tunes for Pablo during 1978, among which were "Great
Tribulation" and "Short Man".
In 1979 Hugh began having the confidence to produce himself, although still
maintaining his relationship with Pablo. The first tunes he recorded were "Stop
Them Jah" and "Blackman
Foundation". (ON
THE ALBUM COVER - ARISE -)
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YAMI BOLO
Top-ranking dub-master, producer and
multi-instrumentalist Augustus Pablo has always devoted himself to developing
new young talent. Among his proteges have been Jacob Miller, Hugh Mundell,
Delroy Williams and many others. One of Pablo's newest proteges is Yami Bolo,
a young singer with a vocal sound somewhat reminiscent of Hugh Mundell. On
this debut LP, he delivers a harddriving set of reggae which features a
contemporary "electro" sound and a excellent Pablo productions, the
album features many of the same musicians who have played on Pablo's recent
LP's; Pablo himself contributes piano and melodica. It's an auspicious debut
for a promising new talent.
(Story on the cd "RANSOM")
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JACOB MILLER
Pablo took the youth to Dynamic Sounds studio
in 1974 and the resulting remake far outshone its original incarnation.
"Love Is A Message" had become "Keep On Knocking", a
sound that defines its era as strongly as any other record. Using Pablo's
"Black Gun" rhythm, although Pablo's own melodica version didn't
see release until long after "Keep On Knocking" was a hit, it was
an astonishing single. This was a definitive roots music, the essence of
mid-70's reggae. Miller was still plainly a youth singer, but no longer a kid.
Laid end to end, what an impact they make. "False Rasta",
"Baby I Love You So", "Who Say Jah No Dread" , "Each One Teach One" .......
(FULL
Story on the album Who Say Jah No Dread) |
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